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(More customer reviews)A plethora of books exist which discuss the techniques of theatrical makeup; Corson's work is undeniably the best of them all.The first edition, published in the early 1940s, set the theatrical world on its ear. No more were performers advised that a faux wrinkle was effectively portrayed by a pencil line or that the physical characteristics of standard theatrical types--butler, old maid, Irishman, and so forth--were simple matters of formula.The book would be a must-have if it explained only technique; it is its insistence that every character is unique and the product of any number of internal and external influences that makes it superb--and the one essential volume for every actor's personal library. Highly recommended
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